The pages within this blog site represent the artist’s statements and corresponding theoretical background to the exhibition, Dark Euphoria – Unclassified Media, by media artist Mitch Goodwin. The exhibition will be staged at the eMerge Media Space in Townsville, between Monday February 13th and Friday February 24th 2012. After which viewings will be available by appointment through The School of Creative Arts on (07) 4781 3142 or gallery@jcu.edu.au until March 30.
The exhibition is a harrowing assemblage of the darker tendencies of the contemporary digital aesthetic and the larger meta-narrative of the mass media network. Featuring photography, video remixes of contemporary screen culture, multi-channel video works, image manipulation, glitch art and electronic music the exhibition is also accompanied by a web portal for extra content and work-by-work deconstructions (http://darkeuphoria.info). The exhibition space and the web content seek to unpack the darker tendencies in the modern mediascape and to tease out links and synergies with the previous century’s techno-futurist obsessions.
A film maker and media artist Goodwin has worked with a variety of mediums in the past and brings much of this to bare in this collection which in many ways is as much a commentary on the technology of our socio-cultural milieu as it is about the commodification of contemporary reality. Citing Paul Virilio, Slavov Zizek and futurist/sci-fi author Bruce Sterling, the works on display form the creative component of Goodwin’s phd thesis, Dark Euphoria: The Neo-Gothic Narrative of Millennial Culture.Visitors to the media space will not be provided with a traditional printed catalogue but rather each work will be accompanied by a didactic featuring a QR Code and four images illustrating the aesthetic – and cultural – progression of the work. The didactic’s QR code will point the viewer to the relevant page on this blog site and provide a backgrounding to the work and how its development relates to the key theoretical areas as discussed in the artist’s PHD thesis, Dark Euphoria – The Neo Gothic Narrative of 20th Century Techno Culture.
The terms “Gothic High-Tech” and “Dark Euphoria” have been borrowed from a keynote speech delivered by science fiction author and cultural observer, Bruce Sterling, at Reboot 11 in Copenhagen in 2009 :
“In gothic high tech, you’re Steve Jobs and you’ve built an iPhone, which is a brilliant technical innovation, but you also had to sneak off to Tennessee to get a liver transplant because you’re dying of something secret and horrible. You’re a captain of American industry. You’re not like, you know, some General Motors kind of guy. On the contrary, your guy is really kind of like got both hands on the steering wheel of a functional car, but you know, you’re still gothic high tech because, you know, death is waiting, and you know not a sort of kindly death either but a really kind of sinister, creeping, tainted wells of Silicon Valley kind of super fun thing that steals upon you month by month that you have to hide from the public, from the bloggers, and from the shareholders. You just kind of grit your teeth and pull out the next one. A heroic story really, but very gothic. (Sterling 2009).
To access the whole keynote visit the Reboot 11 site for the video and Sterling’s Wired blog, Beyond the Beyond, for the transcript.
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- Dark Euphoria : Scanning a QR code
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- Dark Euphoria : City Mesh (foreground)
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- Dark Euphoria : #02, #04, #05, #07 and #08
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- Dark Euphoria : Vonnegut’s Firefight Fuzz Box (foreground)
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- Dark Euphoria : Primary Propoganda
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- Dark Euphoria : Primary Propoganda (detail)
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- Dark Euphoria : My Dystopian Summer Blockbuster
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